Tuesday, March 22, 2011
Adieu
But, I got my first "pro blogging" job, and am now blogging about all things yoga at http://yogabellystudio.com/blog/.
Come visit! Once things calm down a bit I'll be back.
Monday, March 7, 2011
Manifesto of Encouragement:
Right now:
There are Tibetan Buddhist monks in a temple in the Himalayas endlessly reciting mantras for the cessation of your suffering and for the flourishing of your happiness.
Someone you haven't met yet is already dreaming of adoring you.
Someone is writing a book that you will read in the next two years that will change how you look at life.
Nuns in the Alps are in endless vigil, praying for the Holy Spirit to alight the hearts of all of God's children.
A farmer is looking at his organic crops and whispering, "nourish them."
Someone wants to kiss you, to hold you, to make tea for you. Someone is willing to lend you money, wants to know what your favourite food is, and treat you to a movie. Someone in your orbit has something immensely valuable to give you -- for free.
Something is being invented this year that will change how your generation lives, communicates, heals and passes on.
The next great song is being rehearsed.
Thousands of people are in yoga classes right now intentionally sending light out from their heart chakras and wrapping it around the earth.
Millions of children are assuming that everything is amazing and will always be that way.
Someone is in profound pain, and a few months from now, they'll be thriving like never before. They just can't see it from where they're at.
Someone who is craving to be partnered, to be acknowledged, to ARRIVE, will get precisely what they want -- and even more. And because that gift will be so fantastical in it's reach and sweetness, it will quite magically alter their memory of angsty longing and render it all "So worth the wait."
Someone has recently cracked open their joyous, genuine nature because they did the hard work of hauling years of oppression off of their psyche -- this luminous juju is floating in the ether, and is accessible to you.
Someone just this second wished for world peace, in earnest.
Someone is fighting the fight so that you don't have to.
Some civil servant is making sure that you get your mail, and your garbage is picked up, that the trains are running on time, and that you are generally safe. Someone is dedicating their days to protecting your civil liberties and clean drinking water.
Someone is regaining their sanity. Someone is coming back from the dead. Someone is genuinely forgiving the seemingly unforgivable. Someone is curing the incurable.
You. Me. Some. One. Now.
Tuesday, February 8, 2011
Tuesday, January 25, 2011
Check, Double-Check


January and February are always crazy. In three weeks, my cousin, Honey, mom, step-dad, and two brothers all have birthdays. Not to mention I always forget to order my planner (which MUST be the Moleskin pocket calendar, and not any other planner which obviously won't do the job) in time for the new year, and must spend the first few weeks of January managing my schedule via post it notes and index cards crumpling in the depths of my purse.
Monday, January 3, 2011
New
Thursday, December 16, 2010
Tuesday, December 14, 2010
Recent Excitement
Monday, December 13, 2010
What We're Having Tonight:

Errr, what we had Friday night.
Thursday, December 2, 2010
Candlelight Thoughts:


Thursday, November 18, 2010
Waiting...
Wednesday, November 10, 2010
Travel Plans: Thailand



Oh. Em. Gee.
Thursday, November 4, 2010
Holiday Blues
Wednesday, October 27, 2010
Wednesday Writing
Tuesday, October 26, 2010
Dream Hair:

I always get the urge to change my hair in the fall. I'm not usually a fan of dyed/ highlighted/ permed hair, but for this, I just might change my tune. It's not much darker than my natural color, so maybe I could avoid the frizz/ roots/ fake look... or just lose my mind entirely and actually dye my hair.
Monday, October 25, 2010
Monday: Wish I Were Here

Thursday, October 21, 2010
Wednesday, October 20, 2010
Monday, October 18, 2010
Writing: On Community

Biography
Yiyun Li grew up in Beijing and came to the United States in 1996. Her stories and essays have been published in The New Yorker, Best American Short Stories, O Henry Prize Stories, and elsewhere. She has received fellowships and awards from Lannan Foundation and Whiting Foundation. Her debut collection, A Thousand Years of Good Prayers, won the Frank O'Connor International Short Story Award, PEN/Hemingway Award, Guardian First Book Award, and California Book Award for first fiction; it was also shortlisted for Kiriyama Prize and Orange Prize for New Writers. Her novel, The Vagrants, won the gold medal of California Book Award for fiction. She was selected by Granta as one of the 21 Best Young American Novelists under 35, and was named by The New Yorker as one of the top 20 writers under 40. MacArthur Foundation named her a 2010 fellow. She is a contributing editor to the Brooklyn-based literary magazine, A Public Space. She lives in Oakland, California with her husband and their two sons, and teaches at University of California, Davis.
I gathered up all my serious students and told them she would change their lives. We sat and listened to her read from her new book. We sucked in our breath when she paused and got goosebumps. We heard her read a story we had all read before and walked away with a completely different impression than we had before. I nearly cried. I hugged her and she signed my book and misspelled my name and I asked about her kids and she told me about the call she got from J's kindergarden teacher and I told her about the time G said she had a sperm donor not a dad and we laughed and I missed school and workshop so, so much.
Then, a bunch of my students went out for dinner and we talked about the story and the amazing experience of hearing an author read (when it's a good reader) and our own struggles with our work and how inspiring it is to hold hands with this little writing community, how rare it is to talk over a plate of taquitos and enchilladas, and be able to explain your delight at the way two images speak when situated next to each other correctly, and the way certain words can pull you out of a story and others can push you right back in, and the way sometimes another voice entirely takes over, and it's impossible to go back and edit thoughtfully without thinking you might be just a little bit crazy. We laughed. The youngest of us was 17 and the oldest was 66. We shared our favorite stories, exercises, and classes. We compared battle scars. We collectively wondered why, of all the things we could be doing with our lives, we are so compelled to write.
It was an amazing night. After grad school, I lost such a huge sense of my community: everyone thinks they're a writer, and sometimes they are, but it's so nice to be able to exchange work with people who actually feel the same way about writing that I do: it's not fun, it's not therapeutic, it is simply necessary for my existence.





